First move. Turn the 808 down a little before turning the snare up. You may already have all the punch you need.
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Build around the kick and snare.
Start with just those two sounds. Get a pattern you like, then add the bass.
If the kick disappears, try a shorter kick or a quieter 808.
Your hi-hat rolls don’t need to shout.
Fast rolls can take over a beat. Turn them down until the snare feels like the main hit again.
Make some hats quieter than others. A little variation can make a simple pattern feel better.
Make the 808 show up on your phone.
If you can barely hear the 808, try a little distortion. Look for a Drive or Saturation effect.
Add just enough that the notes are easier to hear. Check your headphones again so the bass does not turn harsh.
Add an edge. Keep the hats comfortable.
Try a little Drive if the drums feel too clean. Stop if the hats become scratchy or the snare loses its snap.
Turn it down. What disappears first?
Play the whole beat quietly. Can you still follow the kick, snare and bass line?
If all you hear is bass or hats, revisit the volumes. Save the effects you like and get back to making the beat.
You’re done when...
0 of 3 checked on your own beat.
Try it on your drums
Grit. Warmth. Punch.
Hear what Drum Breaker does, then try it in your own beat.
Meet Drum Breaker
A few quick answers.
Why is my snare so quiet?
The bass, hats or melody may be covering it up. Turn those down one at a time before boosting the snare.
Should the 808 and kick always hit together?
No. Try both together, then try leaving gaps. Choose what works for the rhythm.
How loud should the hats be?
Loud enough to carry the rhythm, quiet enough that they do not distract from the main hits.